I was overwhelmed by how many responses I got in just a few days! So it
has taken me a little longer than I expected to go through the results. I
am still analysing what it all means.
I'm working with Dr Suzi Richer, Research Associate in Archaeology and
Environment at the University of York, who is helping me respond to the
questionnaire results. I've summarised some of the results below.
Suzi recently published an article From Rackham to REVEALS: Reflections on palaeoecological approaches to Woodland and Trees
. Her interest in cross-disciplinary approaches and integrating
alternative perspectives into research has inspired this project. Suzi
and I are intending to develop activities to further investigate
people's relationships with woodlands in the UK, and we hope you will be
involved. Your input in the questionnaire has given us our first
evidence to inspire and develop the project, and we hope to stage
workshops and events in various woodlands in the months to come. I will
continue to update you as we progress.
238 people responded to the questionnaire. The distribution was wide,
stretching from the furthest tip of Cornwall across to South London,
from Worcestershire across the Midlands, to the Yorkshire coast and up
to Fife in Scotland. There were a few from outside the UK too. I am
still putting together a map of all the places... if I ever get to
finish it I will share it!
The first question asked for people's first thought when they think of
forests or woodlands. A significant number, 25% of respondents, used
words such as "peace", "tranquility", "silence", with a further 10%
using words like "calm", "relaxing", "slowing down". An additional 4%
said "freedom", "escape", "liberating", and another 4% wrote
"breathing", "clean air", "fresh air". These were by far the gist of
most responses, associating woodlands with leisure and escapism from
Not a surprising result. Nobody mentioned woodlands as worked or managed
(apart from one response of "work"), although a majority of woodlands
need to be managed. In more ancient times, woodlands in the UK would
have been hives of industry and activity, so this shows how much our
perception and use of woodlands has changed.
Hence the question asking if your occupation involves you with
woodlands. 29% replied that their occupation associated them with
woodlands, which is quite a significant number. However it's likely that
our survey is biased and would have attracted more people associated
with woodlands through work than the national percentage.
Respondents seemed to come from a variety of both rural and urban areas,
with 70% saying that they visit woodlands regularly, listing woodlands
of varying sizes and age, from small local copses to significant managed
I found it interesting that the question about cultural references to
woodlands, whilst generating a very wide range of responses, also had a
significant cluster giving similar responses. 19% mentioned Robin Hood
or Robin of Sherwood; 11% mentioned Lord of the Rings, the Hobbit or the
Ents; 5% a Midsummer Nights Dream. There were a number of other fantasy
or fairy stories (Red Riding Hood, Narnia, Enid Blyton's Enchanted
Forest and more) that connects with our sense of fairy tales associated
I thought Robin Hood was interesting as the most common response. It's a
story with many levels, including ideas about hiding and living out in
the woods as an outlaw. Does this connect with our idea of woodlands as
wild places, dangerous places, disconnected from the everyday town
dweller? Or as a place of freedom?
If you want to read all the responses, you can see a spreadsheet of them at this link.
I have removed any emails that were supplied. You could certainly
compile a great reading list or playlist from the suggestions!
Thanks again for taking part, and I hope you will stay subscribed so
that I can bring you more updates of the project as it progresses. In
the meantime, feel free to send any comments - all thoughts and
Errol Flynn, The Adventures of Robin Hood, 1938
This post was originally posted as a newsletter on 18 March 2017 by Jo Dacombe.
Imagining Woodlands is the new project I am working on in
collaboration with Dr Suzi Richer at the University of York. We aim to
explore perceptions of woodlands and forests through a series of events
and conversations: bringing together science, archaeology, art and
literature, through a collaboration between academics, artists and
people in their local woodlands.
The following our my own notes, written when we began devising this project.
“Culture is ordinary”1– it is a lived experience, and an inherited one. Socialist writers such as
Raymond Williams and Antonio Gramsci2 defined ways in which we learn through being surrounded by cultural hegemonic
messages, which determine the way we think about things. By unpicking these
influences, Williams and Gramsci wanted to break down the inherent power systems
How does this relate to woodlands? Through
she has identified that the way people think about woodlands and about nature
is seen as ‘other’ to their own lives. Where does this attitude come from? As a
palaeoecologist, Richer understands that humans and woodlands have long been
interconnected; humans worked with woods as part of their everyday culture. So
how has the more recent notion of separating woodlands and nature from
ourselves come about?
It is important to think about this because,
as Schiffman writes, “We need a story that properly situates humans in the world —
neither above it by virtue of our superior intellect, nor dwarfed by the
universe into cosmic insignificance. We are equal partners with all that
exists, co-creators with trees and galaxies and the microorganisms in our own
gut, in a materially and spiritually evolving universe.”4 If we think of nature as
separate from ourselves, it affects the way we act in terms of issues like
climate change. We act as masters or custodians to the woods, rather than as
connected to them.
Williams uses the term “cultural
materialism”5 to discuss ideas about how our beliefs about the world are formed: that is,
through the absorption of material and mediated ideas through visual culture,
literary culture, the naming of things, the terms we use in the news and media;
these all affect, often in subconscious ways, the way we think about things and
concepts around us.
I have long been fascinated by the naming
of things. When we name something, it both reflects what we think of that
thing, and influences what others think of that thing. Naming conceptualises
how we perceive the things around us. Names also make things real. Once
something is named, you see it properly. As Robert Macfarlane writes in his
book about names, Landmarks6 “This is a book about the power of
language…to shape our sense of place… 'The hardest thing of all to see is what
is really there,’ wrote J. A. Baker in The
Peregrine (1967), a book that brilliantly shows how such seeing might occur
Richer’s research also discovered that the
naming of trees in the woods has changed over time. Fascinatingly, in the
medieval woodland, people did not name the species of trees; instead, they
called them by names for their use. For example, the hazel and the birch were
known as “poles” because their straight grains made them ideal for making
staffs. Now that you know this, you will see hazel and birch differently from
But these colloquial names have been lost
to us over time. As our perception of woods and trees changed, affecting our
use of language for them, thus our words for them further shaped our sense of
Dr Mark Jenner at the University of York
has written about Culture and Communication7
and how, if the concept of cultural materialism is correct, then our culture is
communicated through much wider fields than that of the arts and humanities: “More interesting
is the way sociologists and anthropologists have used the term culture much
more inclusively in order to make sense of sets of shared meanings, of
communication practices and ways of life”8.
Jenner advocates that people working within different disciplines including the
arts, sciences, history etc. must work together to discover how cultural
communication of ideas, such as the perceptions of our woodlands, come about. More importantly, how can this knowledge be utilised to engage people more meaningfully with issues such
as climate change and other global issues, which can be extremely difficult for
people to grasp or conceive of fully, and especially difficult to relate to
their everyday lives?
project with the woodlands aims to address these two things:1. What are the perceptions and daily
relationships that people have now to their woodlands? and 2. How can artists
and scientists work together to formulate cultural materialism which engages
people more meaningfully about the complexity of woodlands?
You can sign up for email updates for the Imagining Woodlands project at this link, or follow on twitter @imagwoods
1 Raymond Williams, Culture
is Ordinary (1958), in Resources of Hope, R. Gable (ed.) London and New York,
Verso, 1989 2 Antonio Gramsci, Selections
from the Prison Notebooks. International Publishers, 1971
3 Richer, S and Gearey, B,
‘From Rackam to REVEALS: thinking towards a palaeoecology of woodland
dwelling’, Environmental Archaeology, 2017
4 Richard Schiffman, March 2,
2015, We Need to Relearn That We’re a Part of Nature, Not Separate From
5 Raymond Williams, Culture
and Society, Chatto and Windus, 1958
6 Robert Macfarlane, Landmarks,
Penguin Books, 2015
7 Dr Mark Jenner, Research
Champion for Culture and Communication
8 Jenner, ibid
I'm sorry to say that our woodland time-travelling walk Continuum has been postponed due to the continuous rain. The woodlands have become very boggy, so we have made the decision that the event will run later in the year instead.
The new date is Sunday 21st May 2017. Please note the date in your diaries and check the website here, the new details for booking will appear soon.
If you already have tickets, you should have been contacted about this already. If not, please contact The Core.
Thanks and I look forward to a lovely event in May when, we hope, the weather will be better!
I should have news by then of other walks I will be running - check back on this blog or sign up for email updates so you don't miss out!
I am planning a new project which will respond artistically to people's perceptions of forests and woods. It would really help me if as many people as possible respond to this survey. It only takes a few minutes - and please feel free to forward the link to others! Just click on the image below to open up the survey. Many thanks.
Bringing together my interests in history, trees and how people relate to place, The Charter for Trees, Woods and People aims to guide policy and practice in the UK, "enabling a future in which trees and people stand stronger together."
The Charter is to be launched on November 6th 2017, the 800th anniversary of the historic 1217 Charter of the
Forest which established rights of access and use for the Royal Forests
I am currently working with other researchers in science, archaeology and literature, to think about how we relate to trees and woodlands. This also springs from my current project in collaboration with artist Carole Miles for Our Woods festival in Corby, celebrating parts of the Rockingham Forest. For this project we are considering time travel through the woods, how we experience the woodland's constant change from season to season.
Past projects are also informing my thoughts at the moment. Forests and woodlands stimulate our imaginations as we consider them as places of folklore and enchantment, places of sanctuary but sometimes fear, and places of the wild. Our Sidelong walk The Hunter and the Hunted played with these ideas, of how woodlands exist in our imaginations.
Woodlands are also places of industry, and they share their history with people who have had working relationships with trees over centuries. They have also been useful for hiding things. In my project for Dukes Wood I had an intriguing time exploring the woods and stumbling across traces of its past as a secret inland oil field, hidden deep within. Last autumn at the University, learning about LiDAR, a technique using lasers which can penetrate woodland canopies to reveal what is beneath, I was startled by a number of large manmade structures that suddenly became clear on the images. These were 20 or more ammunition parks, making use of the tree canopy to store explosives where the enemy in the air would never spot them. (Unfortunately the images are under copyright so I cannot share them here.)
I hope that I can link up some of my projects with the Tree Charter as it resonates so well with me. Carole and I were delighted to find that our Our Woods event, Continuum: a time travelling woodland walk has been included in the Charter's winter publication of LEAF!
I hope some of you will be able to join us to explore the woods in March.